Drawing Figures and Objects

How to Start Drawing Using Simple Shapes
By: Bob Davies

Many of you may recognise this process if you bought my Watercolour Secrets DVDs in the past, or viewed the lessons more recently on Art Tutor.

It’s based upon using a few very simple geometric shapes to construct animals, though the technique can be used for human figures, landscape objects, buildings, vehicles - in fact virtually anything. 

However, it’s one of those skills that benefit from periodically re-visiting, as a reminder to those who still struggle and as an aid to those who are just setting out.

Even experienced artists will tell you that regularly doing some little basic doodles like this refreshes their brain and helps them from over-complicating pictures.

The Problem - And the Solution
One of the difficulties for anyone learning to draw is that the brain tries to take in all the information and detail it sees in their subject and then in attempting to transfer it to paper all in one go, shapes and proportions become jumbled up and distorted.

Very quickly, the item they’re drawing appears all misshapen and wrong and frustration sets in.

Fear not. The solution can be pretty straightforward and that, as with many things art, is to simplify. 

If I gave you the following list of numbers to look at for five seconds then look away for 30 seconds and then repeat them aloud, you'd probably struggle.....
402 626 285 517 783
However, if I rounded them up or down to the nearest 100, you'd find things a lot easier to recall. So we have…
400 600 300 500 800
In fact, you'd probably instinctively simplify even further in your head, remembering 4,6,3,5 & 8 and then just add the hundreds to each one as you quoted them.

And that's really all we're going to do here, except we use a pencil and simplify a complex figure to just five basic geometric shapes - the triangle, oval, oblong, circle and square.

In fact, if you think that the oval and oblong are just a stretched circle and square respectively, you've actually only three shapes to think about.

In this short lesson, we’re going to look how to draw a flamingo, a wondrous mix of elegant body, spindly legs, the oddest-shaped beak and never-ending neck.


Let’s get started!

A. Here’s the main reference photo of a lovely pink flamingo on a bright, sunny day. It’s a classic pose, with the bird in shallow water, ready to use that huge beak to dig out morsels from the silt for his lunch.

Now if you step back and observe the photo, you can see that it’s quite easy to break down into several basic shapes. The body forms a convenient oval, with the tail creating a triangular bit at the rear.

The long neck can be represented by a couple of oblongs, while the head and the beak can, for now, be sketched as a small oval and triangle respectively.

B. You can see from the blue shapes that I’ve overlaid on the photo how very simple the technique is. Not only does the image look much less daunting, but this is going to help considerably in making sure your proportions are correct before you start on the details.


C. Here, I’ve deleted the photo and we’re left with the basic shapes. Without even picking up the pencil, you can see already that the outline looks pretty good and very much like a flamingo, even though it’s just triangles, ovals and oblongs.

More importantly, the proportions are correct, ie: the legs look long and spindly enough, that neck is the right length and the body is neither too big or small.

The confidence this gives you now to move in and add the more realistic shapes and details cannot be overstated.

Now It's Your Turn
Now print a copy of my reference photo at the size you want - black and white will be fine. Using a piece of tracing paper (or if you haven’t got tracing paper, greaseproof/baking paper will work just as well) tape it down lightly over your photo to keep it in place. Now lightly sketch in several basic shapes to create the rough outline of the flamingo. Don’t add any detail yet.

You don’t have to use the same shapes that I’ve used. You might see various parts of the bird differently. That’s fine. It’s how you see it that matters.

I’ve done my pencil outline a little heavier than normal so you can see it clearer, but when you do this yourself, keep it feint and just dark enough that you can see it. Once you’ve put in the bolder, more realistic lines, you can gently erase the guidelines to leave a clean image. Remember, you’re not tracing the outline. It’s merely an estimation of shape and form - but it will be a close one at that.

Next, remove your tracing paper from the photo and comparing it all the time, start making a more realistic outline of the bird, using the basic shapes as a guide, as I have started to do on the photo below. Note that my sketch is a bit smudgy. This is because I was using a plastic eraser on the grease-proof paper and it's made it look a bit messy. A putty eraser would have been better.

Once you’ve completed this bit, gently erase the original rough guidelines and add in any further detail you want, such as feathers, the eye, shading and so on. Here’s my version below. I’ve gone over this one in ink so you can see it more clearly but a pencil is fine.

I could have added a lot more detail and even worked a bit slower to get a more refined image. However, I wanted to show you that you can achieve a very passable impression of your subject in a very short time. Do it Again using an ordinary paper.
Do it again using and ordinary paper.

Resources:
  • https://www.arttutor.com/blog/201801/how-start-drawing-using-simple-shapes


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